sons-ofanarchyseason4

Followers

Blog Archive

52 Reasons Why Back to the Future Might Just be The Greatest Film of All Time - Redux


* This feature was originally written for, and published on, Obsessed with Film.

To coincide with the 25th Anniversary cinematic re-release of the greatest film of all time Back to the Future and in anticipation of the Blu Ray release of the trilogy on 26th October 2010 here is a redux of a feature I did for Obsessed with Film earlier this year arguing my case for why Back to the Future is the greatest film of all time…

You probably hadn’t noticed, but I’ve not been hanging around the halls of OWF HQ much lately. During my absence from the site, I saw something that has compelled me to return to Obsessed with Film like the proverbial prodigal son.

A while back, Tom Fallows wrote a brilliant feature listing 50 reasons why Ghostbusters might just be the Greatest Film of All Time, then at the tail end of last year Simon Gallagher attempted to go one better and list 51 reasons why his beloved Gremlins might actually be the greatest film of all time.

Both pieces were great and received huge amounts of traffic on the site, however I was left pondering something – how could these two talented, intelligent, film aficionados have got it so wrong?

Their articles were stellar, their points more than valid, but Ghostbusters? Gremlins? Neither of those seminal classics can be the greatest movie of all time, because everyone knows that the greatest movie of all time is…
BACK TO THE FUTURE!

So power up the DeLorean, turn the time circuits on and get the flux capacitor… fluxing, because, always one for a challenge, I’m going to attempt to go one better than my esteemed colleagues and present you with 52 reasons (in no particular order) why Back to the Future might just be the greatest film of all time…

1. The Opening Scene

The opening scene in Back to the Future is quite simply: perfect.

It flawlessly sets up the film’s central themes of time and space, provides heaps of exposition, presents the clock imagery that runs through the entire franchise and foreshadows events further on the film in one simple tracking shot; but most importantly it grabs your attention instantly.

Every time I watch Back to the Future I pick up on something new in that opening scene. The most recent occasion it was that one of Doc’s myriad clocks has a little scientist that looks remarkably like Dr. Emmett L. Brown himself hanging from one of the hands, foreshadowing that spine-tingling scene later in the film (more on that later though).


2. The Coolest Movie Car Ever

“You made a time machine… out of a DeLorean?”

I’ve heard all the arguments for other celluloid cars but nothing even comes close to Doc’s modified DeLorean – it’s a time machine for crying out loud!

3. Crispin Glover

The man who is the very definition of the phrase ‘cult actor’ got his big break in Back to the Future and went on to carve out a career filled with eclectic performances coupled with a plethora of off-screen eccentricities.

Glover is brilliant as George McFly and as much of a cult hero as he has become, it’s a shame Back to the Future wasn’t the start of a more successful career for this charismatic enigma.

4. Johnny B. Goode

“Well it’s an oldie where I come from”

One of Back to the Future’s most enduring scenes is Marty’s performance of Chuck Berry’s legendary Johnny B. Goode, complete with freak-out guitar solo at the end mimicking the playing traits of some of his all-time great guitar heroes.

As Marty looks out on the shocked crowd after his axe-wielding antics he realises he’s lost the 50s kids and quips: “I guess you guys aren’t ready for that yet… but your kids are gonna love it”.

5. The Chuck Berry reference

“It’s your cousin Marvin”

Mid-way through the aforementioned performance of Johnny B. Goode, before Marty’s over zealous string plucking loses the room, front man of the band playing the Enchantment Under the Sea dance, Marvin, of Marvin Berry and the Starlighters fame, heads off to the side of the stage and makes a phone call.

Yelling over the music to his cousin ‘Charlie’ he remarks “you know that new sound you’re looking for? Well listen to this…” and holds the phone out to capture Johnny B. Goode, essentially suggesting that Marty is responsible for giving Chuck Berry the inspiration for Johnny B. Goode and the pioneering of rock n’ roll.

This scene is typical of the clever alternate time zone pop culture references that pepper the whole Back to the Future trilogy – the use of Charlie rather than Chuck and the fact that Marvin’s surname is Berry, means this not an obvious reference to everyone but it’s very well done all the same.

6. Biff’s Question Song

Back to the Future was undoubtedly Thomas F. Wilson’s finest hour, as sadly he never really scaled the heights that he deserved to following the success of Robert Zemeckis’ film.

Maybe that’s a blessing in disguise though, because if Wilson had gone on to become a huge star I doubt we’d have ever got to hear his stand-up comedy stylings, which he has become renowned for and include this brilliant little ditty from the man himself about his experiences since the movie:


7. The sequels

Parts II & III may not be as good as the original or as fondly remembered but together they form one of the, if not THE, greatest trilogy in cinema history.

Each film expands the Back to the Future universe and continues to evolve our heroes, the sequels aren’t just re-treads of the original hitting all the same notes; they stand up on their own as great pieces of filmmaking.

The plot of Part II is in fact so complicated it actually makes your brain hurt if you really stop and think about what exactly is going on. Parts II & III also expand the mythology of the franchise and delve deeper into the ethical and moral questions raised in the first film as well as encompassing themes of fate and destiny.

8. They had the balls to re-cast Marty McFly

Would Back to the Future have been as successful with the originally cast Eric Stoltz as Marty McFly rather than Michael J. Fox?

We will never know for sure but I would venture: no.

That’s not a slight on Stoltz’s acting in any way but it’s impossible to imagine him in the role now. The fact that Zemeckis et al had the balls to re-cast and re-shoot after production had begun was a bold move, and it paid off in spades.

Much of Back to the Future’s broad appeal lies in Michael J. Fox’s effortless charm and without him this wonderful film may have never reached the universal audience it now has.

9. The fun they have playing with time

The Back to the Future universe is such a rich tapestry and there is endless fun to be had with the role reversals, relatives of our heroes and the effect travelling through time has in each time zone.

For instance, Goldie Wilson is a bus boy with big dreams in 1955 and Mayor in 1985 (he gets the idea to run for Mayor from Marty in 1955).

The effect of Marty crashing into the pine tree upon arrival in 1955 is also felt back in 1985 – the mall where Doc is shot is originally named the Twin Pines Mall but we later see it named the Lone Pine Mall after Marty destroys the pine tree in 1955.

10. One of the best scripts ever

Back to the Future’s script is absolutely seamless.

Nothing is wasted, no scene is unnecessary, no dialogue is extraneous, and everything contributes to furthering the brilliant story and expanding the Hill Valley universe.

I honestly believe this film should be core curriculum for budding writers looking to learn how write a succinct yet utterly perfect script.

11. The score

This will probably be one of the arguments in favour of every film featured in one of these lists as people associate the music of the films with those great childhood memories.

Alan Silvestri’s score though must go down as one of the all time greats – I’ve heard the music from Back to the Future used dozens of times other than within the film which just shows how enduring this music is.

I defy anyone not to get goose bumps when they hear Silvestri’s majestic score kick in, even if, like me, you’ve seen this film pushing treble figures number of times and you know it frame for frame. This score can’t help but make you feel that maybe Doc won’t get that wire reconnected in time or maybe Marty won’t get away from the Libyans this time.

12. It was referenced by a President in a State of the Union Address

Fair enough it was Reagan, but still.

Yes, that’s right, during his state of the Union address in 1986 President Ronald Reagan (who is referenced in the film himself) said in his State of the Union address - “As they said in the film Back to the Future, ‘Where we're going, we don't need roads’”.

Similarly, George W. Bush later referenced his favourite movie: Air Bud in one of his addresses.

13. Michael J. Fox’s performance of a lifetime

Michael J. Fox is a great actor and people often forget that – see his performance in Peter Jackson’s underrated The Frighteners or his recent Emmy-nominated guest run on the brilliant Rescue Me if you need proof that he can actually act rather than coast by on charm.

And while Marty McFly may not have required him to flex his thespian muscles too much, this is undoubtedly the performance he will always be remembered for, and deservedly so.

When they made Back to the Future, Fox was filming practically 24 hours a day – with Family Ties during the day and then Back to the Future through the night yet he still exudes his trademark charm & charisma and brings a sparkle to the role that is rarely emulated on screen.

14. The teaser ending

Nothing frustrates me more than when a film blatantly ends with a sequel in mind.

When Back to the Future was originally released the ending wasn’t meant to set-up a sequel, in fact had they had a sequel in mind the ending would have no doubt been somewhat different. Having Jennifer in the car at the end of the film presented the writers no end of problems with Part II, especially when Claudia Wells didn’t return.

The ending was meant to show the endless possibilities that Doc and Marty now had with their time machine not set up Part II. So when the decision to make sequels was made, the To Be Continued… graphic was added in to all cuts of the original film.

When that graphic flashes up it’s almost impossible to not want to pop Part II into the DVD player, so although it wasn’t originally intended to be a bridge to Part II, the ending of Back to the Future actually became a brilliant teaser for what was to come.

15. The theme park ride

I’m lucky enough to have ridden the Back to the Future ride at Universal Studios a couple of times before it was criminally replaced by a Simpsons ride, but sadly I have only been on it once since I became a Back to the Future mega-geek. Suffice to say though I appreciated every miniscule detail that last time.

As with all the theme park rides at the US parks, the attention to detail on the ride was second to none and even featured appearances By Christopher Lloyd and Tom Wilson.

The theme park ride and the events it encompasses are actually considered canon by some in the Back to the Future universe, and the animated series that came in the 90s actually used the theme park ride as a bridge between the films and itself.

Gone but not forgotten, the Back to the Future ride was like a wet dream for Back to the Future geeks everywhere.

16. “If my calculations are correct, when this baby hits 88mph, you’re gonna see some serious shit.”

The first scene in which we see the DeLorean time travel is not just iconic for the genius line above from Doc, everything about the scene is recognisable and defines the movie; from the flaming tyre tracks to the most awesome licence plate in movie history: ‘OUTTATIME’ spinning round, this is one of the coolest and most recognisable scenes in the film.

17. Einstein

The most unsung dog in cinema.

Doc’s long-suffering pet becomes the world’s first time traveller and if that doesn’t make him the greatest movie canine then I don’t know what does.

Looking impossibly adorable in a little yellow rain coat following his time travelling escapades, ‘Einy’ even tries to alert his naïve owner to the presence of some rather angry Libyan terrorists, sadly too late, but at least he tried!

Einstein, like most characters in the film, even has his own 1955 counterpart in the form of Doc’s dog (and Einstein’s likely predecessor) Copernicus.

18. It won an OSCAR

Okay, it was for sound-editing, but still.

19. Spoofs and Parodies

Back to the Future’s cultural significance even today is evident in the number of pop culture references and spoofs & parodies the film receives. Some of these are bad, but the majority that I have seen are done with fondness and are very funny, my personal favourite being one from Family Guy with a racist Doc Brown which was available on Youtube but has subsequently disappeared - boooooo!

20. The film has a good message at its core.

“If you put your mind to it you can accomplish anything”

Doc’s inspirational catchphrase leaves a welcome, lasting impression.

21. Doc Brown swinging from the clock tower.

The climatic scene in 1955 with Doc dangling from one of the hands on the Hill Valley Clock tower seconds before it is struck by lightning never fails to put a big stupid grin on your face.

No matter how many times you see it, there’s still that moment of doubt that the good Doctor won’t re-connect the wires in time to harness the lightning into the DeLorean to send Marty “back to the future” but alas he always does and all’s well again.

It’s a brilliant scene that always warms the cockles.


22. “I’m afraid you’re just too darn loud”

Huey Lewis has a cameo!

Need I say more? I don’t care what anyone says, Huey Lewis and the News are a great band (more on that later) and the main man himself cameos as a stuffy judge at the Battle of the Bands auditions, ironically uttering the above line as Marty belts out one of Lewis’ own songs on his guitar.

23. It was made in the 80’s.

Let’s be honest, all the best stuff is from the 80’s.

24. The Hill Valley Clock Tower

An instantly recognisable movie landmark, even though the Back to the Future Hill Valley square set has been used in many other TV and film productions it will always be Hill Valley.

Looming over the picturesque little square is the clock tower – central to the plot of Back to the Future, the clock tower also makes appearances and is referenced in both sequels and the theme park ride.

A classic cinematic landmark.

25. Mr. Strickland

“Jesus, didn’t that guy ever have hair?”

Mr. Strickland or one of his relatives appears in every Back to the Future film but it is the first film where he is at his angry best. Strickland is definitely one of film’s all time great hard-nosed, Napoleonic disciplinarians.

Played by the brilliant James Tolkan, Strickland has a real irrational hatred of all things McFly and thinks that Marty and his Father George are “slackers”. The lovely little gag that he is bald and looks almost exactly the same in 1955 and 1985 is another of Back to the Future’s nice little touches.

26. The Power of Love

I’ve already discussed Huey Lewis’ cameo in the film but Back to the Future also boasts one of the 80’s most iconic movie songs in The Power of Love.

People often overlook the fact that Huey Lewis & The News also recorded Back in Time for Back to the Future, a great song in its own right which rolls over the end credits and makes several references to the film in the lyrics.

The Power of Love though was the universally popular song, was nominated for an OSCAR and is still a favourite at cheesy parties today. A classic 80’s song from a classic 80’s film – what more could you want?

27. “Why don’t you make like a tree… and get out of here”

Biff’s penchant for getting the punch line of supposedly witty sayings wrong never fails to raise a chuckle.

28. It still stands up today.

As with all great movies, Back to the Future has stood the test of, ahem, time.

25 years on, the film still stands up today and is as fresh and funny as ever whether it’s your first viewing or your hundredth.

The enduring longevity of the film really is a testament to everyone involved in the film and it will no doubt remain one of the most fondly remembered films of all time for years to come.

29. “The Libyans!”

They may be the most horribly stereotyped and overtly racist bad guys in film but the incompetence of the Libyan terrorists Doc Brown rips off for the plutonium he needs for the DeLorean is just funny.

Although, I personally find Doc’s complete ambivalence to the seriousness of his deceiving the terrorists funnier: “I gave them a shoddy bomb casing full of used pin ball machine parts!” you can’t help but smile when they get their comeuppance when Marty disappears in the DeLorean leaving the Libyans to helplessly plough into a conveniently located stand in the mall car park.

Take that terrorism!

30. The Catchphrases

Be it Doc’s “Great Scott!” or Biff’s “What are you looking at butt-head?” the catchphrases from Back to the Future are endlessly quotable and will live on in film infamy.


31. The Skateboard Scene

“Shit!!!!!!!!!!!!!!!”

Although “I hate manure” became somewhat of a Tannen catchphrase as the trilogy progressed, Biff’s response to getting caked in manure first time around was simply to proclaim that he was going to “get that son of a bitch”, referring to his nemesis Marty.

The 1955 town square skateboard chase is one of Back to the Future’s most well known scenes and has been referenced a great deal in popular culture over the years, including one bizarre entry recently that saw Arsenal’s Andrei Arshavin depicted as Marty and Liverpool’s Gerrard, Carragher et al depicted as Biff and his gang!

Everything about the scene is perfect, from Marty inadvertently introducing the 50’s kids to skateboarding, to the tension and ultimately the comedy of Biff ploughing his prized car straight into the back of a manure truck.

32. The Old School Universal Studios Logo

The 1963 – 1990 Universal Studios logo is perhaps the coolest and most iconic production logo in film history. Just think of all the incredible films from that era that were preceded by that famous globe.

I have developed somewhat of an affinity with this particular logo mainly due to it being the first image you see when you put on Back to the Future – as soon as that globe fades out you know you’re in for an hour and fifty six minutes of pure, unadulterated enjoyment.

33. “…Your line George” - Marty

“Oh, hey you get your damn hands off her… Do you really think I oughta swear?” - George

“Yes, definitely, god damn it George swear”. – Marty

The above is one of my favourite bits of dialogue in the film and perfectly captures the bizarre relationship between Marty and George in 1955, with Marty as a mentor to his own Father.

34. “…Then tell me future boy, who’s President of the United States in 1985?”
- Doc

“Ronald Reagan” – Marty

“Ronald Reagan!? The actor!?, then who’s vice-president: Jerry Lewis!? I suppose Jane Wyman is the First Lady and Jack Benny is Secretary of the Treasury!” – Doc

35. Doc’s “crude” model of Hill Valley

“Please excuse the crudity of this model; I didn’t have time to build it to scale or to paint it”.

Doc’s brilliant miniature recreation of the Hill Valley town square and his dissatisfaction with it gives us a great insight into the mind of this brilliant, if somewhat unhinged, man and the fact that he is his own worst critic.

It’s also very funny as the scaled down trial run of Marty’s attempt to go back to the future ends in a ball of flames.

36. Billy Zane and Biff’s Goons

Back to the Future wasn’t only Michael J. Fox’s performance of a lifetime; it was also Billy Zane’s.

“Billy Zane?” I hear you say, “He wasn’t in Back to the Future”.

As one of Biff’s goons Billy Zane showed more charisma and personality without a speaking line than he has in any film since Back to the Future.
Biff’s goons are the very definition of sycophantic suck-ups, and their utter incapability to carry out their leader’s bidding successfully usually sees them getting their just deserts in a variety of humiliating ways.

37. “Last night, Darth Vader came down from Planet Vulcan and told me that if I didn’t take Lorraine out, that he’d melt my brain” - George

“Yeah, well, let’s keep this brain melting stuff to ourselves, okay?” – Marty

38. The Dinner Scene

“Who the hell is John F. Kennedy?”

The dinner scene where Marty is somewhat coerced into eating dinner with his future Grandparents, Mother and Aunts & Uncles is a master class in uncomfortable.

With Marty eager to get away from the amorous advances of his own Mother, he further riles his future relatives with comments they don’t understand – having more than one TV set, re-runs and of course that Riverside Drive is actually JFK Drive much to Lorraine’s Father (and Marty’s Grandfather) Sam’s chagrin.

Lorraine grabbing his leg under the table is the final straw for Marty who makes his excuses and promptly leaves, prompting Sam to brilliantly, and rather ironically, comment:

“Lorraine you ever have a kid that acts like that, I’ll disown you”

39. The Animated Series

Another spin-off from the Back to the Future movies was an animated series, which ran for 2 seasons on CBS between 1991 – 1992 and further expanded the Back to the Future universe, although some fans dispute the canon of the animated series.

Only Mary Steenburgen (Clara in Part III) and Tom Wilson reprised the animated versions of their characters but Christopher Lloyd also appeared in live action segments. Weirdly, the animated Doc was voiced by Homer Simpson himself Dan Castellaneta.

Whilst sadly not available on DVD yet, the Back to the Future animated series is the kind of show that has achieved cult status – aimed at kids but no doubt also loved by the adults who grew up on Back to the Future.

Compared to today’s slew of cartoons that treat kids like morons, the science portions of the show were light years ahead of modern shows in terms of entertainment and educational value.

40. Not ‘Nuking the Fridge’

An early draft of the Back to the Future script saw Marty travelling through time in a fridge and being caught in a nuclear bomb detonation.

However, when concerns were raised that kids may try and emulate the stunt and become trapped inside fridges, the time machine was, mercifully, eventually changed to the now iconic DeLorean.

Years later, Steven Spielberg would again be involved with nuking the fridge, only this time it actually made it to the screen and ended up spawning a website.

In Indiana Jones and the Kingdom of the Crystal Skull, Indy actually escapes a nuclear blast by hiding inside a fridge. The moment was deemed so ridiculous that ‘nuke the fridge’ rapidly became cinema’s ‘jump the shark’ – that moment when you know a film or franchise has lost it.

Thankfully, Back to the Future avoided an association with such a derogatory term, but it further emphasises the cultural impact that the Back to the Future universe has had.

41. The Video Game

The Back to the Future video game by today’s standards is just about the lamest thing you’ve ever seen.

Even upon its 1989 release it wasn’t exactly state of the art; with people comparing it to Paperboy (which by the way, I used to be fucking brilliant on) but there’s something strangely exciting about the idea of controlling Marty McFly as he tries to defeat Biff’s goons in the diner and avoid kisses, in the form of flying love hearts, from Lorraine (seriously).

Naff? Yes. But don’t tell me you wouldn’t want a go.

42. Claudia Wells

A hit 80’s movie wouldn’t be a hit 80’s movie without one cast member being a one hit wonder. Whilst none of Back to the Future’s young cast ever quite scaled the dizzying heights they did with this film in their later careers, none of them vanished quite like Claudia Wells.

Wells quit acting due to family illness after the first film and was replaced by Elizabeth Shue for the sequels (out of necessity more than anything, as the first film had ended with Jennifer in the DeLorean with Doc & Marty).

Wells had some minor acting roles in later years but now runs a menswear store in Studio City. It’s a shame we never saw more of her really, she gave a big performance in a small role in Back to the Future and made a hell of a lot better Jennifer than Elizabeth Shue for my money.

Wells remains a cult favourite with Back to the Future fans and if Back to the Future is her ten minutes of fame then what a ten minutes to have.

43. Uncle Joey

“Better get used to these bars, kid.”

Uncle Joey is Lorraine’s jail bird brother, who fails to make parole (again) in the original 1985 timeline, prompting his cake to go to waste.

When Marty meets his future relatives in 1955, he discovers Joey in his play pen, in a black and white striped t-shirt, foreshadowing the jail cell bars he will spend much of his life behind. Stella (Marty’s Grandmother) even goes as far as to comment that Joey “cries every time we take him out” (of his play pen).

This is another brilliant example of the time-shifting and the fun that is to be had with this narrative device; it’s also a nice little throw away gag for those who were paying attention earlier on in the film – Back to the Future is filled with gags like these, you really do need a few watches to pick up on all the in-jokes and references.

44. The DVD(s)

After an agonising wait for the DVD release of the Back to the Future trilogy, it finally arrived in 2002 in glorious fashion, with a veritable smorgasbord of extras and goodies.

As it turns out the long wait for the DVD release wasn’t enough time to get all the extras in though so we were eventually given The Ultimate Edition with a shiny 4th disc of goodness – needless to say, I have both.

The DVD box sets (both) really are fantastic and give fans a wealth of bonus features and extras worthy of the greatest film ever.

45. The Poster

Everybody recognises the Back to the Future poster, with the iconic image of Marty with one foot in the DeLorean checking his watch.

The poster was duplicated for Parts II & III with Doc (II) and then both Doc and Clara (III) joining Marty on the poster but there really is no beating the original movie poster.

It is simple yet effective, much like Back to the Future itself; the poster tells you pretty much everything you need to know about the film and still manages to retain an air of cool, even today.

The Back to the Future original movie poster remains one of the greatest of all time and that’s not just my partisan bias talking (well, maybe it is a little).

46. Doc Brown

Doctor Emmett L. Brown must be one of the most beloved characters in film – I’ve said it before: but who hasn’t attempted a lame Doc impression at some point? Be honest…

Christopher Lloyd saved most of his best performances for playing eccentrics but no one was quite as magnificently eccentric as Doc – The Einstein-esque hair, the larger than life mannerisms and of course his endless line of failed inventions.

Yet underneath his dedication to science, Doc had a touching friendship with Marty and even if his head wasn’t always in the right place (stealing from terrorists), his heart always was.

And let’s not forget, this is the man that invented a DeLorean that could travel through time!

47. Spielberg’s Memo

Head of Universal at the time Sid Sheinberg made many changes to the Back to the Future script, some good, that actually made it into the shooting script, but he also had some pretty shocking ideas to go with them.

One of which was to change the title as he didn’t believe anyone would see a movie with the word ‘future’ in the title. In a memo to director Robert Zemeckis, Sheinberg reportedly stated that the title should be changed to ‘Spaceman from Pluto’, tying in with the Marty-as-alien gags in the film (Old Man Peabody’s son concludes Marty is an alien after reading a comic book featuring a story entitled ‘Space Zombies from Pluto’)

Thankfully Steven Spielberg intervened and replied to Sheinberg in a memo of his own that thanked the exec for his "joke memo", telling him everyone got a kick out of it; Sheinberg, supposedly too proud to admit he had been serious, is alleged to have then let the title stand.

48. “My name is Darth Vader, I’m an extraterrestrial from the planet Vulcan” - Marty

49. Biff

“What are you looking at butt-head?”

I’ve already sung the praises of Tom Wilson the actor but I’d be remiss if I didn’t credit Biff the character’s contribution to Back to the Future’s greatness.

Biff has to be one of those seminal cinematic villains you love to hate, because as horrible as he is and in spite of all the trouble he causes for our heroes you can’t help but like the big dumb lug.

He’s as lovably obnoxious as an adult in 1985 (original timeline) as he is as a teen in 1955 and even when he is a sniveling suck-up in the alternate 1985 he is equally as annoyingly great.

Without great villains, you can’t have great heroes and that is definitely true of Back to the Future.

50. Robert Zemeckis

Robert Zemeckis has been involved with some of the most memorable and revolutionary films of the past two and a half decades, and although he had made Romancing the Stone prior to Back to the Future, it was this film that really launched him as a film-maker and allowed him to go on to make the likes of Who Framed Roger Rabbit?, Forest Gump and err… Contact.

Love him or hate him, Zemeckis is a great director and has been instrumental in pioneering a number of new film-making techniques, but it is easy to forget that he also holds a writing credit on Back to the Future, which, given the fantastic script, is something else impressive for his resume.

He may have won the OSCAR for Gump, but I maintain that Back to the Future still remains the best film he’ll ever make.

51. Marty blowing the amp

“Rock N’ Roll…”

Following on from the note perfect opening scene, we have another fantastic moment that tells us so much about our characters with barely a spoken line.

This first glimpse of Marty is him blowing up Doc’s giant speaker with a mini guitar, setting up his love of rock n’ roll, his somewhat rebellious streak and of course Doc’s penchant for hair-brained inventions.

Seeing Marty sent flying across the room by his over-zealous strum is an unforgettable moment that establishes numerous plot threads in a concise and most importantly entertaining manner.

52. Doc’s bullet proof vest

“What about all that talk about screwing up future events? The space-time continuum?” - Marty

“Well, I figured: what the hell!” - Doc

What would the greatest family film of all time be without a happy ending?

After all his gesticulating about irreparably damaging the space-time continuum it seemed as though Doc would never get Marty’s warning of his impending death. As Marty arrives back in 1985, his plan to go back early foiled by the DeLorean breaking down in Hill Valley Square, he watches on helplessly as Doc is once again gunned down by the Libyans.

Sobbing over his friend’s lifeless body, Marty is suddenly shocked as the Doc springs back to life and reveals a bullet-proof vest.

Everyone goes home happy and for once changing events in a time travel film has a positive outcome.

So there you have it, my evidence in favour of Back to the Future as the greatest film of all time. I could have gone on but that wouldn’t have been fair to the others…

What do other (less biased) film fans think of Back to the Future?

But more importantly what do the Back to the Future fans out there have to say in support of our beloved movie?

More Back to the Future goodness:

Back to the Future – Where Are They Now…?

Top Ten Time Travel Films of all… Time!

Californication 3.10 'Dogtown'


“No matter what they say, bitches don't like it when you fuck other bitches…” – Charlie

Nothing much happened in ‘Dogtown’ to advance season 3 of Californication’s myriad still-dangling plot threads, but after a season jam-packed with guest stars and recurring roles it was nice to have an episode that allowed us to spend some quality time with the show’s five main characters: Hank, Charlie, Marcy, Karen and Becca.

After last week’s blow-out (pun intended) with Rick Springfield, Charlie found himself unemployed once again, so after clearing out his desk and a brief send-off from Sue, Hank decided to take his agent out on the town. Elsewhere in the L.A. night Karen and Becca were doing the same for the Runkle of the fairer sex, who was still smarting from her break-up with Springfield.

This certainly appeared to be Sue Collini’s last appearance on Californication and if it was it was rather poetic that it ended with a last “Collini out”. Kathleen Turner has been an unexpected joy this season and Sue has been a great character, bogarting most of the best lines in every episode she’s appeared, so her departure will be a shame, but to get back to tying things up for the show’s core characters it is a necessary evil I suppose.

Predictably Hank and Charlie headed to their philosophical and spiritual temple: the bar and began one of the show’s trademark, quotable, rapid-fire exchanges musing on life and love.

The usual wit and banter was punctuated by Hank telling the story of the time Karen made him breakfast after spending the night sat outside her ex, Bill’s house. This show of tenderness from Hank was interrupted by some asshole spilling a drink on Charlie and showing no real remorse for said action.

Never one to stand for poor manners, Hank would not let such behaviour go unchallenged and after being called a rather unpleasant sexual slur by the aforementioned asshole, Hank proceeded to plant a smacker on Charlie, whose mouth tasted like “a hobo’s taint”, and then land a punch on the offending asshole, degenerating proceedings into a bar fight that got our heroes ejected from the bar.

After picking themselves up off the street, the duo decided that a major bender was in order and headed out into the night.

Across town, Karen, Becca and Marcy’s meal was, thanks to copious amounts of wine, turning very much into a Marcy rant about her lack of success in the love department that was probably a little too graphic for Becca’s somewhat innocent ears.

Hank and Charlie’s bender then took a bizarre turn into a book store where they discovered a Hank Moody original on sale for $100, which they then endeavoured to steal in their drunken haze.

As Moody and Runkle planned their getaway they also discovered Julian Self’s latest tome on sale in the book store – Julian was of course played with great pomp by Angus MacFadyen last season. When they discovered it was retailing at $95, the drunken degenerates also decided to steal a copy of Julian’s book as well, along with some advertising signage.

As the Moody and Runkle men sprinted away from the scene of their crime, who should they stumble upon but the Moody and Runkle women. Detecting the drunken stupor their ‘better’ halves were in, the women declined the opportunity to join boy’s night and instead carried on with their “GNO” – that’s girl’s night out for all those of you who don’t speak L.A.

It was at this point that Hank and Charlie’s night took a more sombre turn, as they were held, and robbed, at gunpoint by two street punks in a liquor store.

During their near-death experiences both men saw their respective families and realised what colossal jerks they’d both been. Hank and Charlie then made a vow to right the wrongs they’d committed and win back their homes, but not before drinking… a lot.

Back at Hank’s flat, Becca proved to be wise beyond her years as she laid down some sage-like wisdom on Karen, who appeared to take on board what her daughter had so astutely picked up about her Father and his relationship with her Mother – this seemed to make Karen realise that they did all in fact belong together.

The next morning, Hank and Charlie woke up in Hank’s “piece of shit Porsche” and after Charlie’s vivid description of his hangover, which involved God jizzing all over his face, they headed home.

The episode ended with the symbolic act of Karen offering to make Hank a hangover breakfast, which effectively was her way of saying “I love you.”

Bullet Points:

- If that was the end of Sue Collini’s appearances on the show it would also seem to suggest that we will never get another appearance from her wheelchair-bound husband, who was played by Stephen Root.

It just seems bizarre that they managed to land a comic actor of Root’s calibre for such a small role – Go figure.

- Becca taking a phone call from Chelsea would seem to suggest that the two of them managed to iron out their differences after Becca blacked Chelsea’s eye last week – which is disappointing, Becca needs to be as far away from that girl as possible, even if Chelsea did show a glimpse of a softer side last week.

- There was some great music used in this episode – N.I.B. by Black Sabbath at the start as Hank drove his Porsche home and then Three Rounds and a Sound by Blind Pilot at the end of the episode over the credits.

- Only two weeks now until the finale – this season just seems to have flown by, it doesn’t seem two minutes since I was practically orgasmic after finding out Hank was back, never mind two and a half months. Worst of all, we’ll no doubt now have another ridiculously long wait until season 4 hits UK screens… Oh well.

Californication continues Wednesday @ 11.20pm on FIVER.

Skyline "Trailer 2"




The Big Bang Theory...vuelve Kate






Vuelve Kate Sackhoff a Big Bang, otra vez en un sueño de Howardy y como se puede ver aparecerá también George Takei.

Mencionar que tendremos un cameo de Eliza Dushku en el capítulo 7. Interpretará a una agente especial del FBI que tendrá que interrogar a Wolowitz.

Athena: Goddess of War "Making Off - Trailer"




No hay día de que empiece ya.

24 - The Complete Series






Este mega pack contendrá 56 discos con las 8 temporadas completas, 24: Redemption y nuevos y nunca vistos contenidos especiales.

Contenidos especiales como: Chloe’s Arrest , Comic-Con 2009 Panel, Eight Days (broken up into the following four segments – Jack Bauer: Evolution of a Hero, Presidents Friends and Villains, Memories and Moments, Goodbye).

El mismo día (14 diciembre 10) saldrá la 8ª temporada por separado, claro está, de momento en EEUU.

Mi humilde opinión es que esta caja tiene que estar en cualquier casa seriéfila porque 24 es una de las mejores.

Supernatural - artigo TV Guide sobre Sam!

Supernatural só não seria o show de caça aos demónios do mesmo se Sam (Jared Padalecki) realmente morreu depois que cair no inferno. O homem que ele é agora é um contraste gritante com o que temos visto nas últimas cinco temporadas.

"Eu volto muito menos melosas", diz Jared Padalecki, "e mais como, 'Tudo bem. Fui ao inferno algumas vezes, eu fui para o céu. Eu morri, eu voltei , eu fiz isso, e eu fiz isso [agora] Sam's mais bullsh não -.. "

tempo de Sam no inferno era muito pior do que aquilo que Dean (Jensen Ackles) tiveram lá, de acordo com Jared Padalecki, Sam estava na jaula de Lúcifer com uma batalha de arcanjo em erupção em torno dele.

"Crowley (Mark Sheppard) diz:" Eu não posso imaginar como é na jaula, e posso imaginar tantas coisas '", Padalecki diz. "Temos a idéia de que Sam era a parte ruim do inferno. Ele não estava no apartamento."

Enquanto Sam se tornou endurecido pela experiência, Dean tinha um ano de brincar de casinha, que amaciou-lo um pouco. "Eu não tinha idéia do que diabos eu estava fazendo", diz Ackles de jogar uma versão domesticada do personagem. "Mesmo que o diálogo, a maneira como foi escrito, a ser tão suave e afetado. Eu era como, 'Isso não é o cara que eu estou acostumado a jogar."

"Eu não estava feliz com isso", diz Ackles de não querer perder a essência de Dean na nova temporada. "Nós passamos cinco anos com esse cara ser uma espécie resistente, atire-primeiro-pergunte-pergunta-depois de cara, e agora de repente ele foi suave em nós? Leu muito macio na página, mas acho que endureceu isso. "

Trazendo os irmãos mudaram novamente juntos será um desafio nesta temporada. "Quando Sam mostra volta inesperadamente, obviamente, não há surpresa, mas depois também há raiva", diz Ackles, prometendo que o relance no trailer da perfuração Dean Sam é real e não de edição inteligente. "Quanto tempo ele tem sido ao redor, e por que ele não me disse? Esse é o primeiro pedaço de atrito".

Supernatural regressa sexta-feira 24 de setembro em 9/8c no CW.

Supernatural - Season 6-2 CW Curta Jingles [VÍDEO].

Bakuman - Anime "Promo"




Bakuman, lo nuevo de los creadores de Death Note. Bakuman trata de dos estudiantes de 9º grado, Moritaka Mashiro y el escritor Akito Takagi que desean ser mangakas, o artistas de manga.

Hay varias referencias a la cultura pop y manga a lo largo del primer capítulo por sí solo, entre ellos la serie Death Note (la anterior colaboración de Ohba y Obata), One Piece, Bleach y Dragonball.

Estreno 2 Octubre 2010.

Roger Rabbit 2 "Test"




Con los ruomres de que Robert Zemeckis quiere hacer la 2ª parte de Quién engañó a Roger Rabbit, se ha colgado un video de como podría ser esta 2ª parte. Si en su época triunfó como será ahora con los avance técnicos que disponen, por que la peli es buena de coj..

Fotos Supernatural - Episódio 6.03 - The Third Man - Promocional!

Supernatural - 6 ª Temporada - Entrevista Jensen Ackles [VIDEO].

Supernatural - Episódio 6.04 - Você não aguenta a verdade - Swan Serinda ao cliente!

'Mago super-sexy Smallville é agora um' locutor Supernatural '.
Serinda Swan, que por duas vezes foi interrompido por 'Smallville' (como feiticeira que atrevido, Zatanna), agora é começar a trabalhar a sua magia em "The CW Supernatural", Fancast aprendeu exclusivamente.
No quarto episódio da próxima temporada, intitulado "Você não aguenta a verdade," Swan vai hóspede estrelas como um repórter narrando uma série perturbadora de suicídios. Como Dean e Sam mergulhar no mistério piegas, que determinam que cada vítima tinha sido exposta a uma verdade brutal que literalmente levou-os à loucura.
personagem Cisne, segundo me disseram, pode passar a ser de posse de informações que possam esclarecer sobre a investigação dos irmãos, assim como um dos Winchesters é forçado a chega a um acordo com uma dura verdade do seu próprio - que poderia enviar a sua irmão enrolar!
gig Swan TV seguintes "Supernatural" é um suculento mesmo uma: Ela tem o papel feminino principal em 'Breakout Kings ", um A & E novas séries de ficção que começou a filmar esta semana. Seus outros créditos incluem os filmes Percy "Jackson eo Lightning Thief" e "Tron: Legacy", que deve ser lançado em dezembro.

Mad Men 4.3 'The Good News'



“Look at these two, George and Martha” – Comedian

‘The Good News’, the third episode of the award-winning Mad Men’s third season, was a largely Draper-centric episode but it also featured some brilliant screen time for the oft underused Lane (Jared Harris).

After the Christmas festivities of last week’s episode we now find our mad men and women in that weird period between Christmas and New Year, most of them have plans to be anywhere other than NYC and Don, as we learned last week, is heading to Acapulco.

We learn through Harry though that on his way there Don has a layover in L.A., we soon discover why Don is so reluctant to use his brief stop in the City of Angels for business purposes as he turns up on the porch of his beloved Anna.

Don’s relationship with Anna, the widow of the man whose identity he stole, has always been a strange one but she is the one woman that this serial womanizer seems to really love with all his heart.

This is probably due to the fact that she is the only woman that truly knows him, Betty may think she knows the truth now she knows that Don used to be Dick Whitman, but Don would never let his ex-wife into his soul like he does with Anna.

So you can imagine how devastated Don is to discover from Anna’s niece, as he once again fails in his sexual advances towards a woman, that Anna is dying of bone cancer. The unbridled grief on Don’s face as he realises his one connection to that old life will soon be gone really is heartbreaking.

What makes things worse for Don is that he can’t do anything about Anna’s illness as she doesn’t even know her plight. The cancer is so advanced there’s no saving her so her family have decided to keep her in the dark so she can enjoy her remaining time without the burden of the knowledge of her impending death.

So a grief-stricken Don jettisons his Acapulco plans and instead heads back to The Big Apple to the only place even remotely close to a home that he has at the minute – the Sterling Cooper Draper Pryce offices.

To his surprise Don discovers Lane sat at his desk cutting a lonely figure. We had earlier learnt through a row with Joan and his secretary’s incompetence that all was not well with Lane’s marriage but he reveals to Don that it is a good as over hence why he hasn’t returned to England for the New Year.

The pair proceed to get drunk off their faces on an unspecified liquor Lane’s dad had sent him and embark on a 1960’s version of The Prodigy’s ‘Smack My Bitch Up’ video. They harass cinema goers at the pictures, cause a scene in a restaurant, get ribbed by, and then heckle, a comedian and finally take two prostitutes back to Don’s sad little apartment.

The morning after, as Lane emerges from Don’s spare room it is hard to tell whether he is pleased or ashamed of himself – his stuffy British exterior not letting on just what is going on inside.

So many of the characters on Mad Men try to conform to what they think people want from them and most of the time it makes them miserable – see the phrase “Is that what you want, or is that what people expect of you?” which is used as almost the theme of this episode.

Was this a rare glimpse of the real Lane or was this just him acting out to release the pent-up frustration of his marriage falling apart? As he insists on reimbursing Don for his girl and then thanks him for “a welcome distraction” it would imply that this won’t become a regular boy’s club.

Running parallel to Don and Lane’s adventures is the increasingly worrying relationship Joan has with her husband Greg.

As viewers we have already seen him force himself on her on Don’s office floor, so we have an instant dislike for him but Joan, who has either blocked that out or has just learned to live with it, still wants to try and have her fairytale family with him.

That plan is being scuppered not only by the fact that the two of them are currently working opposing shifts but by the elephant in the room of Greg sooner or later being shipped out to Vietnam.

As Greg stitches up Joan’s finger after she cuts it making dinner, we realise that for all their efforts none of the characters on Mad Men seem capable of balancing a successful career with a strong home life – the three main characters we follow intensively in ‘The Good News’ being the three prime examples of this curse that seems to hang over SCDP.

The episode ends with 1965 heralding the start of a New Year and although SCDP has had a reasonably stable first year and can plan ahead for a, hopefully, prosperous New Year the same cannot be said of the people who take a seat at SCDP conference table’s personal lives.

Bullet Points:

- Don’s lack of success with the ladies continues as he is rebuffed by the third woman in as many episodes – are women starting to become more familiar with, and thus immune to, the sort of bravado and charm that men like Don exude or does Don just reek of desperation right about now?

- Loved the scene with Lane and Don drunkenly trying to decide what film to go and see – The Guns of August: “I hate guns and I hate August…”

- Lovely shot of night turning to day as Don sat helplessly on Anna’s sofa after getting the news of her cancer.

- The revelation that Joan has had two abortions was pretty shocking but I suppose in context, not that surprising – is a certain grey-haired gentleman suitor to blame for either of these “procedures”?

Mad Men continues Wednesday @ 10pm on BBC4

Californication 3.9 'Mr. Bad Example'


“…If a client asks you to dress up like a French Maid and rim his shit-hole… you comply…” – Sue Collini

Maybe I’m being a little harsh here but ‘Mr. Bad Example’ was a bit of a disappointing come down after the highs of last week’s clusterfuck ‘The Apartment’.

Thank the Lord though for Charlie Runkle who was once again the best thing about the episode and probably, beyond the one-liners and quotable sound-bites, the season so far. Evan Handler and the writers have really managed to make Charlie this sad, pathetic loser who you can’t help but cheer on.

I really long for a victory for Runkle and though there’s no sign of it yet, he must have took some solace in prising Marcy away from the increasingly unhinged Rick Springfield and then watching in almost disbelief as the star crawled around on the floor trying to rescue the blow Charlie has half-inched him from a college kids’ snake tank – is there a bigger drug dealer cliché than owning a snake!?

That scene with Hank and Charlie performing a mild spot of B & E was one of my favourites of the season so far as we’ve had so little Hank and Charlie interaction in that high-jinx sort of way. David Duchovny and Handler have a wonderful chemistry and watching the two of them acting the fool as they hunted for the coke was a moment of light-hearted joy in an episode that was rather heavy on the weighty stuff in light of last week’s revelations about Hank’s recent bed partners.

Charlie finally standing up to Rick Springfield at the episode’s end may have cost him his career, especially if the opening quote from Sue is anything to go by, but at least he got the last laugh, for now at least.

I was pleased as Charlie stood up to Springfield (who deserves an award for this guest spot by the way) but then as he backed down when Marcy warned him about his career I thought we were going to see more of the pathetic, spineless, perpetually shat-on Charlie we’ve seem all season. As Springfield amped up his uber-douche routine though Charlie finally “sacked up” and threw Springfield’s precious blow back in his face, literally.

Hank meanwhile was struggling to steady the ship’s course after everyone discovered about everyone last week, this at least allowed for plenty of Hank-Dean Koons interaction which is always gold but unfortunately this arc mostly led to plenty of sit-downs with Karen and subsequently Felicia.

Becca giving Chelsea a black eye was satisfying, given what a snotty brat the Dean’s daughter has been all season; but seeing her having a rare moment of fun and tenderness with her Father as Karen and Becca visited was a way of giving both of those characters some much needed humanization, as both had been in danger of becoming thinly-veiled caricatures, albeit in the Dean’s case: a pretty funny one.

Hank’s seeming lack of guilt or concern over the fact that his actions had led to Becca’s expulsion was a very unflattering look on him – he has always been a womanizing drunk but his number one priority was always Becca. So the fact that not long after he had unwittingly been responsible for his daughter being expelled he was out horsing around with Charlie really made it difficult to continue rooting for him.

His reaction to the security guard who caught him and Charlie in the dorm room was priceless though: “you know the Dean?” “I fucked his wife…”

Speaking of Dean Koons, he also managed to get one of the night’s best lines (of the word variety) by referencing his penis as “the little Dean”. Peter Gallagher genuinely looks like he’s never been having more fun in this role and although not as shockingly vulgar as Kathleen Turner is as Sue, he is probably this season’s unsung comedy hero.

The final scene would suggest that we have now seen the last of Felicia (and Rick Springfield) so it definitely feels like we are moving towards the season’s end, but with a few episodes still to go before the finale I’m kind of curious as to where we will go these next few weeks. But even if these remaining episodes are centred more on the drama aspect of Californication rather than the comedy, so long as Peter Gallagher and Kathleen Turner are still around you can guarantee it will be a funny half hour of drama.

Bullet Points:

- Marcy’s star crush on Rick Springfield was explained but I don’t feel they explored it enough for us to really believe she would risk the sobriety she fought so hard for just to be with him. Pamela Adlon had been M.I.A. for the last couple of episodes and I know time constraints more than likely play a factor but they could have dropped in a couple of little scenes to really hammer home her Springfield-obsession before tonight’s pay-off.

That said, the lobsters and the bib were a nice touch and brought back memories of that brilliant episode with Charlie in the bib.

- It was such a 180 I didn’t realize it was Chelsea in the kitchen with the Dean when Karen and Becca called round – I genuinely thought they’d stumbled upon him trying to bed another student. Given what we’d seen before, this was the most surprising and genuinely touching scene of the episode and possibly the season and as stated above it was really important to give some depth to both Father and Daughter.

- I know she got him out of jail but that last scene with Hank and Felicia just didn’t resonate with me at all – why is he still kissing and sharing a moment with her!? Has he learnt nothing!? Of all the guest stars this season, she’s the one I’m glad to see the back of most.

- Just a final little note to say that as this season of Californication has been the first season of a show where I have reviewed every episode, once the finale has aired and my review has gone up I will be putting together a compendium piece that will feature my review of each episode all in one place – possibly with some overall season analysis as a little bonus feature, so keep an eye out for that in a few weeks’ time.

- Oh, and props for another Warren Zevon reference with the title.

Californication continues Wednesday @ 10.45pm on FIVER

Star Wars - Behind the Scenes




Para todos los fans de Star Wars, como un servidor, videos muy interesantes de detrás de las cámaras de una de las mejores trilogías de la historia.











Primera entrega. Otro día más.